Wives and Daughters: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Elizabeth Gaskell
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Wives and Daughters: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Elizabeth Gaskell
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Formatted for E-Readers, Unabridged & Original version. You will find it much more comfortable to read on your device/app. Easy on your eyes. Includes: 15 Colored Illustrations and Biography Wives and Daughters is a novel by Elizabeth Gaskell, first published in the Cornhill Magazine as a serial from August 1864 to January 1866. It was partly written whilst Gaskell was staying with the salon hostess Mary Elizabeth Mohl as her home on the Rue de Bac in Paris. When Mrs Gaskell died suddenly in 1865, it was not quite complete, and the last section was written by Frederick Greenwood. The story revolves around Molly Gibson, the only daughter of a widowed doctor living in a provincial English town in the 1830s. The novel opens with young Molly Gibson, who has been raised by her widowed father, Mr. Gibson. During a visit to the local aristocratic 'great house' of Lord and Lady Cumnor, Molly loses her way in the estate and falls asleep under a tree. Lady Cuxhaven (one of the daughters of the house) and Mrs. Kirkpatrick (an ex-governess to the Cumnor children) find Molly in her slumbering state and Molly is put to bed in Mrs. Kirkpatrick's room. There are allusions to the latter as Miss Clare, her maiden name. Clare appears to be a kind woman and assures Molly that she will wake her up when it is time for the entourage to leave. However, she forgets to do so and Molly is stranded in the mansion. She is distressed at the thought of spending the night at the mansion. To her relief, her father arrives to collect her. Seven years later, Molly is described as an attractive and rather unworldly young woman, which arouses the interest of one of her father's apprentices, Mr. Coxe. Mr Gibson discovers the young man's secret affection and sends Molly to stay with the Hamleys of Hamley Hall, a gentry family that purportedly dates from the Heptarchy but whose circumstances are now reduced. Molly forms a close attachment with Mrs. Hamley, who embraces her almost as a daughter. Molly also befriends the younger son, Roger. Molly is aware that, as the daughter of a professional man, she would not be considered a suitable match for the sons of Squire Hamley. The elder son Osborne, is expected to make a brilliant marriage after an excellent career at Cambridge: he is handsome, clever and more fashionable than his brother. However, he has performed poorly at university, breaking the hearts of his parents. Molly accidentally discovers his great secret: Osborne has married for love, to a French Roman Catholic ex-nursery maid, Aimee, whom he has established in a secret cottage as he is convinced that his father would never accept Aimée as his daughter-in-law. As he resettles into the local scientific community, Roger begins to realise that his affection for Molly is more than that of a brother for a sister. Aided by the kind interference of Lady Harriet, who has always recognised Molly's worth and charms, he finds himself pained at the thought of Molly with anyone else. Still, he hesitates at giving in to his feelings, feeling unworthy of her love after throwing away his affection on the fickle Cynthia. Before he returns to Africa, he confides his feelings to Mr Gibson, who heartily gives his blessing to the union. Roger is thwarted, this time by a scarlet fever scare, in his attempt to speak to Molly before he leaves. At this point, Gaskell's novel stops, unfinished at her death. She related to a friend that she had intended Roger to return and present Molly with a dried flower (a gift Molly gave him before his departure), as proof of his enduring love. This scene was never realised and the novel remains unfinished. In the BBC adaptation, an alternative ending was written in which Roger is unable to leave Molly without speaking of his love, and they marry and return to Africa together.
Wives and Daughters: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Elizabeth Gaskell - Amazon Sales Rank: #3023979 in eBooks
- Published on: 2015-09-04
- Released on: 2015-09-04
- Format: Kindle eBook
Wives and Daughters: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Elizabeth Gaskell Review Novel by Elizabeth Gaskell, first published serially in the Cornhill Magazine (August 1864-January 1866) and then in book form in 1866; it was unfinished at the time of her death in November 1865. Known as her last, longest, and perhaps finest work, it concerns the interlocking fortunes of several families in the country town of Hollingford. Wives and Daughters chronicles the maturation of Molly Gibson, a sincere young woman whose widowed father, the town doctor, marries Hyacinth Kirkpatrick, a charming but petty widow and former governess in the household of Lord Cumnor. Although Molly resents her stepmother, she befriends her stepsister Cynthia, who is secretly engaged to Lord Cumnor's land agent, Mr. Preston. Molly is warmly received at the home of Squire Hamley and his disabled wife. The Hamleys' two sons are Osborne, a clever but shallow man who marries unwisely and dies young, and Roger, an honest scientist who eventually marries Molly after being engaged to Cynthia, who ultimately weds a London barrister. --The Merriam-Webster Encyclopedia of Literature
Review 'Wives and Daughters has plot, intrigue and romance' Guardian 'A masterpiece' - Andrew Davies
From the Back Cover Set in English society before the 1832 Reform Bill, Wives and Daughters centres on the story of youthful Molly Gibson, brought up from childhood by her father. When he remarries, a new step-sister enters Molly's quiet life - loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford. Wives and Daughters is far more than a nostalgic evocation of village life; it offers an ironic critique of mid-Victorian society. 'No nineteenth-century novel contains a more devastating rejection than this of the Victorian male assumption of moral authority', writes Pam Morris in her introduction to this new edition, in which she explores the novel's main themes - the role of women, Darwinism and the concept of Englishness - and its literary and social context.
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Most helpful customer reviews
89 of 92 people found the following review helpful. ...and dream about Cynthia and my new shawl By Snork Maiden What is up with all the reviews that compare Mrs. Gaskell unfavorably to Jane Austen? Jane Austen is wonderful, but she works in miniature, and even her major characters are often one-dimensional. Who can really visualize Mr. Darcy? It is true that Mrs. Gaskell can be as satirical as Austen when she wants to be, but even her most vain or vicious characters are human beings, with complex feelings and good impulses as well as bad. And then there's the incredible sweep of this novel, the way in which Gaskell manages to portray an entire community without losing her lightness of touch. The only novel I can think of to compare this to is Eliot's Middlemarch, and I'm still not sure which I think is better. There are so many instances in which Gaskell could have taken the easy way out and didn't. Take the two pairs of characters, Molly and Cynthia and Roger and Osborne. Osborne is thought to be more brilliant than Roger; Cynthia is more beautiful and less moral than Molly. It would be so easy for Gaskell to make Cynthia the evil stepsister, and Osborne the dissolute brother you love to hate. Yet Cynthia and Osborne are both sympathetic despite their faults, and both are even more complex, more finely drawn, than Roger and Molly. There are plenty of novels in which a character exerts a fascination over everyone he/she meets, and usually the fascination is completely lost on the reader. Cynthia has this fascination, and for once it is completely convincing. We understand why Molly can't help loving Cynthia, even while Cynthia is blithely taking Roger away from her. And Cynthia is self-aware; she knows that she can't bear to have people not think well of her, and she knows this is a fault. When Molly has learned Cynthia's secret and risked her own reputation to help her, Cynthia is grateful but cannot keep herself from doing what she always does and drawing away from Molly. Mrs. Kirkpatrick is another beautifully drawn character -- she seems poised at the beginning to become the evil stepmother from a fairy tale, but she is simply weak, vain, and not very bright. She has every intention of being a wonderful stepmother, but she is too shallow and self-centered to enter into Molly's feelings or any one else's. She tries so hard to please, and her panics when she's talked herself into a corner are both funny and pathetic. I know I've said a lot about Cynthia, but I don't agree with the reviewer who said that Molly seemed one-dimensional in comparison. Molly has fewer problems; she's a pretty normal, intelligent, awkward girl with a happy childhood behind her, but that doesn't mean she's boring. She has a pretty vivid emotional life, although she doesn't always admit the source of her feelings, and she's very shrewd. I am amazed by the people who said this book needed editing or cutting down. This is probably the most nearly perfect book I have read - I do not mean by this that it is the best - and the one glaring imperfection can't be helped. I do think, though, that if it has to end prematurely at least it ends on an excellent sentence.
80 of 84 people found the following review helpful. Engrossing domestic comedy By A Customer In her last novel, Gaskell avoided her usual urban milieu to concentrate instead on the wonderful parochial doings of a country village in the mid-Victorian period. Although she left the novel without its very last chapter before she died, this should not dissuade you from reading the novel: you'll know by the end exactly where Gaskell was going to finish the book and what would've happened to all the characters.WIVES AND DAUGHTERS is frequently compared to Austen, but it is very different; the comedy and social observation is marvelous, but there's a greater sense of despair here more akin to MIDDLEMARCH. Hyacinth is without question the single most complex and engrossing character Gaskell ever created, and despite her menadacity and her manipulativeness you can't help but feel fond of her in spite of her less attractive qualities. Her daughter Cynthia is nearly as fine a character, and the others are also topnotch. A delightful read.
43 of 43 people found the following review helpful. A definite read if you enjoy the genre as I do By Austentatious Having read and reread Austen and the Bronte sisters, and looking to branch out to new authors while still staying in the general time period and genre, my sister recommended Wives and Daughters. I had never heard of Elizabeth Gaskell---but what a treasure to discover! My husband bought me the book for my birthday, worried that because it was an unfinished novel I would be disappointed. Hardly! I couldn't put the book down. I fell in love with all of Hollingford and its people, especially young Molly Gibson, as constant in her character as Cynthia is changeable but both equally likeable and more importantly, believable. Mrs. Gaskell was able to show us where the novel was headed or, I should say, where Molly was headed matrimonially, and though it is something to mourn that the conclusion could not be written in Mrs. Gaskell's own words, I would still recommend the read. AND the DVD which is so true to the book (Justine Waddell makes a perfect Molly), even while leaving out Molly's extended illness toward the end. Definitely one I recommend.
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